Operatoonity.com Book Review: Call Me Debbie: True Confessions of a Down-to-Earth Diva
Author: Deborah Voigt with Natasha Stoynoff
Publisher: Harper, an imprint of HarperCollins
ISBN 10: 0062118277
Publication Date: January 27, 2015
Binding: Softcover (Advance Review Copy)
One can only peer into those deep blue eyes staring out at you from the cover of Call Me Debbie and wonder how this talented American opera star with the Midwestern good looks could have ever written an engaging memoir? Even into her 50’s, she looks like someone whose life must have been a fairy tale. America’s sweetheart, right?
Memoirs need to be jawdroppingly honest, gritty, and maybe even a little dirty to capture my interest. What could possibly be dirty, gritty, or jawdropping in Deborah Voigt’s life with her gifts and star power? What indeed.
The book’s subtitle Confessions of a Down-t0-Earth Diva does a great disservice to Voigt’s gripping life story. It makes those confessions sound wholesome and entertaining. On the contrary, this book is gutsy and brave. It is startling and, at times, horrifying and deserves loads better than the cheesy subtitle the Harper team slapped on it to attract more readers or a wider reading audience.
Deborah Voigt has one helluva life story to tell and does so with incredible candor and self-effacement. It is a story of emotional abandonment, family-of-origin issues, addiction, size discrimination, self-destructive behavior, promiscuity, self-recrimination, recovery, and rebirth.
Her memoir is divided into three sections: Act I , Piccola; Act II, Accelerando; and Act III, Crescendo.
Piccola is about her growing up in a too-strict household infused with Southern Baptist values, one that saddled her with self-esteem issues that would plague her throughout her adult life. It’s about her natural gifts bubbling to the surface despite her parents’ marital issues and emotional abandonment–the spankings, the jibes, the senseless strictures.
But the memoir really takes off during Act II, per this reviewer, when the reader takes the road with Debbie, vicariously experiencing the intense pressure and the scrutiny of reviewers, audiences, and professional colleagues, while battling the ever-present loneliness that comes with being an international opera star who must travel extensively to work.
While Voigt’s reputation grows because there is no denying her extraordinary gift, so does her size. At one point in the memoir when she is at her heaviest, she comments that “it’s always open season on fat women.” Listen to this performance of Voigt singing “Dich, Teure halle” from Tannhauser with James Levine conducting, and tell me why it matters in the least what size she is:
In the opening pages of the memoir, she reveals that she heard God tell her that she was on the earth to sing. After listening to that soaring aria, can any hearing person dispute that God spoke to her like she believes?
Throughout the memoir, Voigt does “kiss and tell”, which makes for occasionally juicy reading, but she also does the equivalent of opening a vein and bleeding out her “sins” and scandalous double-life of binge eating and drinking and one-night stands with men not nearly good enough or decent enough for her.
The hardcover version comes with an 8-page color insert, which sounds ideal. In the Advance Review Copy (ARC) I read which was softcover with no insert, I found myself going to the Internet to see photos of Voigt throughout her professional journey and listening to clips of her arias on YouTube. So, I would recommend the hardcover because of its compelling photographic insert.
As a rule, I don’t read memoir. It’s extraordinarily hard to write memoir well because you must reveal unflattering things about yourself and your loved ones. Not everyone can do it believably. Most people can’t be that honest and self-effacing.
Besides dropping half her size, if shedding the weight of the double life she was leading (acclaimed artist by day; drunk out of her mind and sleeping around on her days off) led to her recovery, than toi, toi, toi, Ms. Voigt. There are many, many people cheering you on and wishing health, happiness and peace, besides this fan. Please never forget that.
* * *
Special Operatoonity Giveaway:
If you’d like to win your own softcover copy of “Call Me Debbie,” leave a comment on this blog below. One winner will be selected by April 15.
Disclaimer: A copy of Call Me Debbie was supplied by Harper in exchange for an honest review.